Ram Charan

When I decided to work with Krishna Vamsi, people around me were apprehensive about my decision. They warned me that I shouldn't work with an unsuccessful director.

I don't run after successful directors. I give importance to the content of the film.

When a producer like Prasad, who knows people's pulse, is ready to try something new, why not me?

In the south, whether it is a small film or a big film, everybody sees it. So, there is always something for everybody to come, see, and enjoy.

Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.

I style my roles mostly with some help from my team of stylists.

It is no longer important for me to be seen in every frame.

Since I played a warrior in 'Magadheera', my character sported shoulder-length hair and a thick beard.

I don't know how to say no, and that's a weakness.

In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.

Every father and son have conflicts.

My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.

Drama starts where logic ends.

Life is one big love story with hundreds of little love stories within it.

The sky takes on shades of orange during sunrise and sunset, the colour that gives you hope that the sun will set only to rise again.