Ram Charan

Drama starts where logic ends.

In the south, whether it is a small film or a big film, everybody sees it. So, there is always something for everybody to come, see, and enjoy.

The sky takes on shades of orange during sunrise and sunset, the colour that gives you hope that the sun will set only to rise again.

My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.

Every father and son have conflicts.

Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.

When a producer like Prasad, who knows people's pulse, is ready to try something new, why not me?

Life is one big love story with hundreds of little love stories within it.

In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.

I don't know how to say no, and that's a weakness.

Since I played a warrior in 'Magadheera', my character sported shoulder-length hair and a thick beard.

It is no longer important for me to be seen in every frame.

I style my roles mostly with some help from my team of stylists.

I don't run after successful directors. I give importance to the content of the film.

When I decided to work with Krishna Vamsi, people around me were apprehensive about my decision. They warned me that I shouldn't work with an unsuccessful director.