City
My first day in Chicago, September 4, 1983. I set foot in this city, and just walking down the street, it was like roots, like the motherland. I knew I belonged here.
If you've got style, you'll show it, no matter the city.
Chicago, with its big newspapers and major broadcasting stations, couldn't have been a better city to start a journalism career.
I think 'Nathan for You' is a really funny show, along with 'The Grinder' and 'Baskets'. I really like 'Man Seeking Woman'. It's the coolest show because they just do weird stuff, and it doesn't feel weird; they make it normal somehow, which I applaud. And 'Broad City' — I think those guys are awesome.
I've always seen myself as one of those 'show people'. My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.
For me, being a part of the ASPCA is a great way to tie in my love for animals and my love for New York City. Whether it's fighting puppy mills or working with the NYPD to prosecute people who abuse animals or breaking up fight rings, it's an incredible part of my city life.
I really enjoyed staying at an encampment at the top of a hill in the Samburu Reserve in Kenya. You reach it on a small plane; there is no electricity, no city noises and you sleep and shower under the Milky Way, with moths fluttering around a kerosene lamp, knowing that there are elephants and lions roaming free in the valley.
Where else but in America could a schoolteacher from Kansas City end up the governor of her adopted state?
It isn't necessary to have relatives in Kansas City in order to be unhappy.
I don't belong to the slums, but to play Naru in 'City Of Gold', I had to live for months in a real chawl before we shot the film.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
On the road from the City of Skepticism, I had to pass through the Valley of Ambiguity.
New York, in itself, has this frenzied, chaotic feeling to it. It's such a big city, and it's always moving, and there are so many people.
The golf facet of my life doesn't go with the rest of my life, which is a rough-and-tumble life. I work in real estate development, which is the toughest business, and I do it in the toughest city. I deal with ruthless people.
So to all Americans, in every city near and far, small and large, from mountain to mountain, and from ocean to ocean, hear these words: You will never be ignored again. Your voice, your hopes, and your dreams will define our American destiny. And your courage and goodness and love will forever guide us along the way.
Dubai is a vibrant city: Big cars, big buildings... it reminds me of my home town, Hong Kong. People are always on the move here, and there's a lot going on. There are some wonderful architecture and some not-so-wonderful.
It's important to me that there's not just one story told about our city. 'LSD' is an ode to Chicago, a song for the complicated love I have for my city.
A few years ago, the city council of Monza, Italy, barred pet owners from keeping goldfish in curved bowls... saying that it is cruel to keep a fish in a bowl with curved sides because, gazing out, the fish would have a distorted view of reality. But how do we know we have the true, undistorted picture of reality?
I get bored real easy. I'm so used to L.A. and the pace that when I go home now I start thinking, 'Something's not right, something's not feelin' right'. I just gotta do what I gotta do in Oklahoma and get back to the fast-paced city.
I'd sometimes go to Paris by myself — it was an easy two-hour train ride — to get a break from the everyday grind, to walk around a big city, ride a subway, feel the energy of a world capital.