Actor
(page 2)
There are two schools of thought: There are those actors who explain to you that they know exactly how they're going to do the part... And then there is the other method, which is to have no method at all. This is mine.
Movie-making is serious business. The director and the crew are already under a lot of pressure to give their best to the audience. Therefore, the best part for me as an actor is to act well in the movies and make a jolly atmosphere with the co-stars on the sets.
I have no hang-ups in life. I don't care about groups and camps. I have been brought up with certain values and ethics. I have never been egoistic about my stardom and lineage. I don't have any qualms about breaking the ice with my colleagues. I can walk up to any actor and greet him, irrespective of what kind of equation I share with him.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
I like to consider myself an actor who just happens to be Hispanic.
I've played some gangster roles, but that's obviously not me. When you're an Italian-American New York actor, it's just an easy way to get cast.
I played guitar in a band from when I was about 20 for three years. Then I sang a little. Then I started getting really busy as an actor and forgot about it.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
I'm very fortunate to have spent so much time in the industry and to have lived through several generations of filmmakers, actors and technicians. There's a huge volume of experience seeing people change and seeing content change.
If a farmer fills his barn with grain, he gets mice. If he leaves it empty, he gets actors.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between — I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
The only fear I have is that I will wake up one day and nobody will allow me to do films. This is a fear every actor has.
As an actor, I travel around a lot and live in a lot of hotels, and many times I've been in a town where the only entertainment to be had is what you find in the hotel bar or lobby.
My parents are very modern. My father is a cosmopolitan person. He always supported the fact that I will be an actress. There is nothing else I would do rather than being an actor.
The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
As an actor, you come in contact with so many different people and cultures. It makes you a more accepting person.
Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.
In terms of animation, animators are actors as well. They are fantastic actors. They have to draw from how they feel emotionally about the beat of a scene that they're working on. They work collaboratively.
I am, by nature, pretty reserved. It was after I became an actor that I started interacting more with people from different walks of life!
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