Cultural
Critics have a responsibility to put things in a cultural and sociological or political context. That is important.
Anorexia is a response to cultural images of the female body — waiflike, angular — that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
According to various polls conducted, the single most important issue in last week's election was not the Iraq War, not the War on Terror, not even the economy. It was the cultural war.
History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.
The world is getting more connected through technology and travel. Cuisines are evolving. Some people are scared of globalization, but I think people will always take pride in cultural heritage.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
Tourists as well as natives want to see cultural achievements — whether it's the Banaue Terraces, the old churches or museums.
I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. It's an inclusive approach that brings in many disciplines and sees place as a dynamic thing.
Some people are so famous that the legends about them and the cultural aftermath of their life altogether obscure the real human being.
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