Anders Holm

'Teenage Wildlife' is just epic. It's, like, five or six minutes long, and it kind of crescendos and builds into this insane vocal of Bowie wailing. I think I would pay $5,000 dollars to see footage of that recording session.

'Ders' is something I've been called since I was six by neighbors and stuff growing up.

Aaron Peirsol was the man. Ryan Lochte is also insane. Like, if Phelps wasn't around, we'd all be talking about Ryan Lochte as the dude who changed everything, because he's insane as well.

Beastie Boys and David Bowie are two of my favorite artists.

Consider what people think of you, but don't be afraid of what people think of you.

I was born in the U.S., and that's who I rep. Although when the winter Olympics come around, I'm pretty partial to Norway's success and what they do.

I think 'Nathan for You' is a really funny show, along with 'The Grinder' and 'Baskets'. I really like 'Man Seeking Woman'. It's the coolest show because they just do weird stuff, and it doesn't feel weird; they make it normal somehow, which I applaud. And 'Broad City' — I think those guys are awesome.

Resume? I wish I had a resume. And if I did, I wouldn't scrub anything from it. Who cares?

It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.

I was pretty sure I lacked the wisdom to be the commencement speaker, but after stewing over the idea for about 48 hours, I decided that if the senior class at the University of Wisconsin wants me to come speak, I'll do whatever they ask me. I love that school.

I hate people who say New Balance shoes are only for white people. That's not real.

I'm really just looking for an excuse to get in shape, so if someone could send me a role for a superhero movie, I'll get in shape, then you can just give it to someone else.

I'm pretty restless in bed, so I can lie there for a couple of hours and be like, 'Hey, that happened today. What if that happened at a zoo?' I'll jot the idea down. Then I'm like, 'All right, so now that it's a zoo, that penguin's loose', or, whatever. I usually start with broad ideas.

The worst thing you can do to a Juggalo is not know about their weird subculture.

I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.

Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire'. That's a chill song with kind of a military drum thing going on, like a drummer boy.

Back in college, I remember shooting stupid videos with my friends. It would be us going around town in capes pretending we were superheroes.